{"id":1066,"date":"2022-11-03T08:43:25","date_gmt":"2022-11-03T07:43:25","guid":{"rendered":"https:\/\/davidsibieude.art\/?page_id=1066"},"modified":"2022-11-09T22:09:12","modified_gmt":"2022-11-09T21:09:12","slug":"construction-destruction","status":"publish","type":"page","link":"https:\/\/davidsibieude.art\/index.php\/construction-destruction\/","title":{"rendered":"Construction \/ Destruction"},"content":{"rendered":"\n

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Construction \/ Destruction<\/em> est une s\u00e9rie d’\u0153uvres r\u00e9alis\u00e9es \u00e0 la peinture acrylique sur feuilles de papier entam\u00e9e en 2017. Dans cette s\u00e9rie ma r\u00e9flexion se concentre sur la repr\u00e9sentation visuelle d’un paradoxe naturel et essentiel.

En observant ces peintures, on peut faire le parall\u00e8le avec l’histoire du dieu hindou Shiva Nataraja qui execute sa danse cosmique dite Danse de la f\u00e9licit\u00e9. Celui-ci a quatre bras. Il tient dans sa main droite sup\u00e9rieure un tambour symbolisant le son primordial de la cr\u00e9ation de l’univers, dans sa main gauche une flamme symbolisant la destruction du monde. Sa deuxi\u00e8me main droite est en\u00a0abhaya-mudr\u0101, geste de protection. Sa main gauche inf\u00e9rieure montre sa jambe lev\u00e9e symbolisant l’espoir de lib\u00e9ration. Il \u00e9crase de sa deuxi\u00e8me jambe le nain\u00a0Apasm\u0101rapuru\u1e63a, aussi appel\u00e9 Muyalaka, qui repr\u00e9sente l\u2019ignorance. (sources Wikip\u00e9dia)<\/p>\n\n\n\n

Ici, les bouts de scotch qui ont servis \u00e0 lac\u00e9rer et endomager la feuille de papier sur laquelle j’ai peint, sont les m\u00eames qui vont compl\u00e9ter et finalement participer \u00e0 l’\u00e9laboration, \u00e0 la cr\u00e9ation de l’\u0153uvre. Ils peuvent aussi servir \u00e0 joindre les deux parties constitutives de l’\u0153uvre finale ensemble (Sans titre 10).
On retrouve ce bin\u00f4me Construction \/ Destruction<\/em> dans le geste que j’accompli. Bin\u00f4me paradoxal d’un certain point de vue, mais essentiel au cycle de la vie. Ce qui meurt nourrit ce qui vit et ainsi de suite.<\/p>\n\n\n\n

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Construction \/ Destrcution<\/strong> \/ Sans titre 9 – 60 cm x 84 cm – 2017<\/figcaption><\/figure>\n\n\n\n
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Construction \/ Destrcution<\/strong> \/ Sans titre 10 – 60 cm x 84 cm – 2017<\/figcaption><\/figure>\n\n\n\n
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Construction \/ Destrcution<\/strong> \/ Sans titre 11 – 60 cm x 42 cm – 2017<\/figcaption><\/figure>\n\n\n\n
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Construction \/ Destrcution<\/strong> \/ Sans titre 12 – 60 cm x 42 cm – 2017<\/figcaption><\/figure>\n\n\n\n
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Construction \/ Destrcution<\/strong> \/ Sans titre 13 – 60 cm x 42 cm – 2017<\/figcaption><\/figure>\n\n\n\n
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Construction \/ Destrcution<\/strong> \/ Sans titre 14 – 60 cm x 42 cm – 2017<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Construction \/ Destruction est une s\u00e9rie d’\u0153uvres r\u00e9alis\u00e9es \u00e0 la peinture acrylique sur feuilles de papier entam\u00e9e en 2017. Dans cette s\u00e9rie ma r\u00e9flexion se concentre sur la repr\u00e9sentation visuelle d’un paradoxe naturel et essentiel. En observant ces peintures, on peut faire le parall\u00e8le avec l’histoire du dieu hindou Shiva Nataraja qui execute sa danse … Lire la suite<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1066","page","type-page","status-publish"],"yoast_head":"\nConstruction \/ Destruction - David Sibieude<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/davidsibieude.art\/index.php\/construction-destruction\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Construction \/ Destruction - David Sibieude\" \/>\n<meta property=\"og:description\" content=\"Construction \/ Destruction est une s\u00e9rie d’\u0153uvres r\u00e9alis\u00e9es \u00e0 la peinture acrylique sur feuilles de papier entam\u00e9e en 2017. 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